>>> PRODUCTION OF "BROAD & HIGH" IS BROUGHT TO YOU BY THE GREATER COLUMBUS CULTURE, CONNECTING THE COMMUNITY, ARTISTS, EVENTS AND CLASSES AT COLUMBUS MAKES ART.COM.

>>> FROM THESE CONTRIBUTING SPONSORS AND VIEWERS LIKE YOU.

THANK YOU.

>>> THIS TIME ON "BROAD & HIGH," WE MEET A PHOTOGRAPHER WHO PHOTOGRAPHS THE BEAUTY OF NATURE AND THE ENVIRONMENTAL CHALLENGES IT FACES.

WE HEAD BACK INTO THE KITCHEN TO LEARN ABOUT A LOCAL ARTS INCUBATOR AND MAKE A TREAT.

THIS AND MORE ON "BROAD & HIGH."

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>>> WELCOME TO "BROAD & HIGH HIGH" I'M YOUR HOST KATE QUICKEL.

FOR OUR FIRST STORY MASTER LANDSCAPE PHOTOGRAPHER RICK BRAVEHEART HAS DEDICATED HIS CAREER TO SHARING SPIRIT, MAJESTY AND BEAUTY OF NATURE.

AS A 16-TIME ARTIST AND RESIDENCE FOR THE NATIONAL PARKS SYSTEM, RICK HAS SPENT YEARS PHOTOGRAPHING OVER 100 OF AMERICA'S PARKS AND FORESTS.

OUR TEAM JOINED RICK AT HIGHBANKS METRO PARK TO LEARN MORE ABOUT HIS PROCESS.

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>> IF YOU'RE A PHOTOGRAPHER, IN A WAY, YOU'RE A STORYTELLER, AND I JUST THOUGHT THE LAND HAD SO MANY STORIES TO TELL, AND NATURE IS !

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>> AND I WOULD SEE IT MORE AND MORE IN NATURE, SO I ALSO WANTED TO FIND A WAY TO TELL ITS STORY AND HOPE LEVEL MAKE A DIFFERENCE WITH SOME PEOPLE IN HOW THEY PERCEIVE IT.

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>> THE NATIONAL PARKS SERVICE HAS A PROGRAM WHICH IS FOR ARTISTS AND RESIDENTS WHERE YOU CAN APPLY TO BE AN ARTIST, LIVE IN THE PARK.

SO AT NIGHT IT WOULD BE JUST YOU AND THE COYOTES.

SO EVER SINCE I'VE DONE 16 RESIDENCIES IN 16 DIFFERENT NATIONAL PARKS AND MONUMENTS.

I'M NOT VERY GOOD AT GOING SOME PLACE FOR ONE DAY TO TAKE PICTURES.

I WANT TO CON STRAIGHT PERSONALITY AND THE ENERGY OF A PLACE.

SO TO BE IN A NATIONAL PARK FOR SIX WEEKS.

THE LAND STARTS TO TALK TO YOU.

YOU SEE IT IN DIFFERENT WAYS.

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>> I'M GIVING THANKS TO THE LAND FOR WELCOMING US, TELL IT WE WILL BE CONSIDERATE AND RESPECTFUL OF ALL OF ITS CREATURES AND ALL OF ITS PLANTS AND SHOW IT IN THE BEST LIGHT POSSIBLE TO OTHERS NOT JUST IN THE BEAUTY OF THE LAND BUT FOR ITS PROTECTION IN THE FUTURE, I HOPE.

SO LET'S WALK A LITTLE.

>> THIS IS LIKE GOING TO CHURCH FOR ME.

IT IS.

THERE'S SO MUCH BEAUTY.

I'M ALWAYS LOOKING FOR SOMETHING THAT CALLS TO ME.

NOT VISUALLY, BUT ENERGETICALLY, SPIRITUALLY, JUST SOMETHING THAT SAYS STOP AND LOOK AT ME.

IT IS JUST A BEAUTIFUL PORTRAIT OF A TREE THAT STOOD THERE FOR DECADES.

>> I BELIEVE THERE'S THE SPIRIT AND AN ENERGY IN EVERYTHING WHETHER IT'S A FLOWER OR A TREE OR A ROCK, AND MOST PEOPLE DON'T HAVE THE TIME TO LISTEN QUIETLY TO THE LAND AND ALL THESE LITTLE BEAUTIFUL PLANTS OR CREATURES TO SAY, HEY, LOOK AT ME.

I MEAN, EVEN THESE LITTLE DAISIES.

WELL, I JUST SEE THIS BEAUTIFUL ARRANGEMENT.

IT'S LIKE THIS FAMILY OF CONTRAST.

NORMALLY FLOWERS DON'T TALK TO ME AS MUCH, BUT THESE HAPPEN TO, AND IT'S JUST LIKE GREETING THE DAY.

THE SUN IS OUT.

THEY'RE JUST, LIKE, LOOKING UP AT THE SUN.

IT LOOKS GLORIOUS TO ME.

THERE IS A SACREDNESS TO THIS, ALL OF IT, AND THIS SUPPORTS US AND LIFE.

PEOPLE DON'T THINK ABOUT IT.

WE'RE SO DEPENDENT ON NATURE LIKE THIS.

YOU JUST WATCH THE CREATURES AND THE CALM, TO SUSTAIN THEMSELVES AND THEN IT KIND OF DECOMPOSES AND IT FEEDS THE EARTH WHICH CREATES NUTRIENTS AND IT'S A BEAUTIFUL CYCLE AND IT IS ALSO IN DANGER WHICH IS HARD TO WATCH.

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>> THE NATIONAL PARKS ARE LARGE.

THEY'RE SPECTACULAR AND A LOT OF PEOPLE TRAVEL TO THEM, BUT METRO PARKS ARE A LITTLE PIECE OF NATURE THAT EVERYONE CAN GET TO EASILY.

IT'S A BIG DEAL FOR A LOT OF PEOPLE TO GO TO A NATIONAL PARK, BUT THE METRO PARKS LIKE RIGHT HERE.

MOST CITIES I GO TO, THEY HAVE SOME KIND OF PARK AND SO PEOPLE CAN QUICKLY GET AWAY INTO NATURE AND JUST HAVE A LITTLE PART OF IT.

IT DOESN'T HAVE A MUCH DIFFERENT FEEL, IF YOU CONNECT WITH NATURE.

I'M AS MUCH HOME HERE AS I WAS IN YELLOWSTONE.

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>> THERE'S SOMETHING ANCIENT ABOUT THIS.

>> TREE ROOTS ARE LIKE THE HISTORY OF THE PARK.

THEY'RE SO GROUNDED.

THEY HOLD THE EARTH TOGETHER AND YOU CAN SEE THIS.

I DON'T KNOW HOW OLD THAT TREE IS.

MAYBE A HUNDRED YEARS?

AND YOU CAN SEE HOW IT'S SURVIVED.

IT'S LIKE FINGERS OR TOES THAT ARE JUST GRIPPING THE EARTH.

>> THAT IS A BEAUTIFUL WATER DROP ON THIS LEAF.

THE SUN IS HITTING AND THEY CATCH THE LIGHT LIKE DIAMONDS.

EVEN THIS LITTLE LEAF RIGHT HERE.

JUST THE DROPS AROUND THE EDGES AND THIS ONE HERE, IT'S ALL ACROSS IT AND THEN IT'S FUNNY.

I CAN GET SO HAPPY LOOKING AT DROPS OF WATER ON A PLANT AND I'M JUST -- IT'S NICE TO SEE.

IT'S JUST DROPS OF WATER, BUT NO MORE BRILLIANT THAN THE GRAND CANYON.

GLORIOUS.

>> THAT IS GORGEOUS.

>> IT'S ABSOLUTE EXCITEMENT.

I'M IN THE RIGHT PLACE.

I'VE BEEN ACCEPTED AND NATURE IS WELCOMING TO ME.

THERE ARE PLACES WHERE I GO AND IT'S NOT RIGHT AND I ALWAYS ASK PERMISSION TO TAKE A PHOTOGRAPH.

THERE ARE OTHER TIMES I DON'T FEEL I HAVE PERMISSION AND OTHER TIMES LIKE THIS THAT'S JUST -- IT CAN MAKE YOU A LITTLE TEARY.

IT COULDN'T BE MORE PERFECT.

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>> I'VE BEEN PHOTOGRAPHING FOR A LONG TIME, AND I'VE NEVER HAD A SINGLE DAY THAT WAS LIKE THAT, BUT I DO BELIEVE IT'S BECAUSE I ASK PERMISSION TO BE THERE FROM THE BLESSED LAND, AND I BELIEVE THAT'S PART OF IT.

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>> SO THE LAND HAS STORIES TO TELL, AND I THINK WE HAVE SOME UNUSUAL STORIES.

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>>> TO SEE MORE OF HIS AMAZING PHOTOGRAPHS CHECK HIM OUT AT RICK BRAVEHEART.COM.

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>> SABRINA FREY OF MINDEN, NEVADA, USES DETAILS MOSAICS.

SHE'S USED THOUSANDS OF BEADS IN ALL COLORS AND SHAPES TO CREATE HER STRIKING WORKS OF ART.

LET'S GO INSIDE HER STUDIO TO SEE HER ART COME TO LIFE.

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>> I LOVE BEADS.

BEADS ARE AN ADDICTION.

THEY'RE BEAUTIFUL AND THEY'RE TACTILE AND GLASS IS SUCH AN INCREDIBLE ELEMENT TO WORK WITH.

IT'S VIBRANT AND IT'S HAPPY AND IT'S ALIVE.

IT HAS A LIFE TO IT.

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>> MY NAME IS SABRINA FREY AND I'M A BEAD MOSAIC ARTIST.

I USE BEADS LIKE A PAINTER USES PAINT, AND I CREATE MOSAICS OUT OF GLASS BEADS AND FROM FAR AWAY THEY DO GET MISTAKEN FOR PAINTINGS, BUT WHEN YOU GET CLOSE UP, YOU GET HUNDREDS OF THOUSANDS OF GLASS BEADS THAT MAKE UP AN IMAGE THAT LOOKS LIKE A PAINTING.

I WORK OUT OF MY HOME.

HALF OF MY STUDIO IS A BASEMENT AND WE LIVE IN THE CARSON VALLEY, SOUTH LAKE TAHOE AREA.

IT'S VERY INSPIRING AND I GET TO LOOK AT THE MOUNTAINS AND THE SKY EVERY DAY WHICH IS A BIG EMPHASIS ON MY WORK.

THERE ARE SO MANY TYPES OF BEADS OUT THERE, TRANSLUCENT BEADS AND TRANSPARENT BEADS AND SILVER LINED AND THE BEADS THAT I WORK WITH ARE PRIMARILY GLASS.

SOMETIMES I WORK WITH NATURAL STONES, AS WELL, AS ACCENT BEADS AND THEY'RE VERY VERSATILE.

I HAD SOME BEADS LEFT OVER FROM AN ATTEMPTED JEWELRY MAKING STINT.

THIS WAS ABOUT TEN YEARS AGO.

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>> I WANTEDED TO DO STAINED GLASS, AND I DIDN'T HAVE THE MONEY OR THE SPACE TO DO IT, AND SO I LOOKED AT THESE BEADS AND THINGS THAT I HAD AND I THOUGHT OH, THESE ARE GLASS, AND I HAVE WIRE THAT COULD POTENTIALLY LOOK LIKE THE LINES AROUND STAINED GLASS, AND SO I PICKED UP SOME BEADS AND WEAR AND DID MY FIRST PIECE AND LEARNED A LOT OF THINGS NOT TO DO, BUT IT WAS A GOOD CONCEPT, AND SO I STARTED PLAYING WITH IT AND EXPERIMENTING WITH IT MORE AND MORE, AND IT JUST GREW.

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>> I TEND TO USE REPURPOSED MATERIALS FOR MY WORK.

I WILL TAKE, SAY, A REPURPOSED SERVING TRAY, AND I HAVE TO SAND IT.

I HAVE TO PRIME IT OTHERWISE NOTHING WILL STICK TO IT BECAUSE IT WAS MADE FOR DURABILITY AND FOR THINGS NOT TO STICK TO IT, SO I HAVE TO DO THAT, AND THEN I'LL BRING IT IN AND OUTLINE WHATEVER I'M GOING TO DO.

SO IF I'M CREATING AN ANIMAL, I CREATE A VERY STRICT OUTLINE OF WHAT IT'S GOING TO LOOK LIKE, AND THEN I CAN START THE BEAD PROCESS.

>> I USE VERY, VERY POINTY, NON-MAGNETIC TWEEZERS, BECAUSE A LOT OF BEADS HAVE METALS IN THEM AND IF YOU USE REGULAR TWEEZERS, THEY DO MAGNETIZE AND YOU WON'T BE ABLE TO GET YOUR BEADS OUT OF THEM AND I HAVE TO GET A NEW SET OF TWEEZERS, BECAUSE I USE THEM ALL DAY LONG.

>> I THINK OF EVERY SEED AS A PIECE OF DNA.

WE ALL HAVE A DIFFERENT STORY IN OUR LIVES THAT MAKE UP A COMPLETE IMAGE OF WHAT PEOPLE SEE FROM AFAR, AND IT'S ALL THESE LITTLE PIECES OF OUR LIVES AND OUR DNA THAT REALLY MAKE UP WHO WE ARE AND IT'S SOMETIMES HARD FOR PEOPLE TO REALIZE WHAT MAKES UP YOUR STORY AND HOW PIECES COME TOGETHER, BUT THEY SEE YOU AS A WHOLE AND THAT'S HOW EACH ONE OF THESE PIECES, THEY'RE ALL VERY DIFFERENT AND THEY'RE COMING TOGETHER TO MAKE ONE COMPLETE IMAGE.

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>> I GET THAT QUESTION A LOT.

HOW MANY BEADS ARE IN THIS PIECE, AND I DID COUNT.

THERE ARE 156 SIZE 11 SEED BEADS PER SQUARE INCH.

I DID A PIECE, SAY, THAT'S 12 x 16 AND IT WILL HAVE SOMETHING LIKE 90,000 BEADS.

LAST YEAR WHEN WE MOVED I HAD TO WEIGH THE BEADS FOR THE MOVERS.

I HAD 2,000 POUNDS OF BEADS JUST NOT ATTACHED TO BOARDS.

JUST BEADS.

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>> I STARTED MIXING MY OWN GLUE MIXTURE THAT ALLOWS ME TO DO WHAT NEEDS TO BE DONE, CREATE BLENDS AND MIXES FOR EACH PIECE AND TAKE AS LONG AS I NEEDED TO TAKE AND THEN DO THE GLUE AFTER AND THAT WAY IT'S SET AND IT WORKS WITH ME AND NOT AGAINST !

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>> THERE'S A FINAL TOUCH-UP PHASE THAT I DO WITH THE BEADS.

I SEAL THEM WITH AN ACRYLIC GLAZE SO THAT THE GLUE IS PROTECTED FROM THE ELEMENTS.

I CREATE THEM TO BE DURABLE, BUT BOOM'S REACTIONS ARE THAT IT'S DELICATE, AND WE ARE PROGRAMMED AS CHILDREN, DON'T TOUCH THE ART.

AT SHOWS I HAD TO FIGURE OUT A WAY TO GIVE PEOPLE PERMISSION TO TOUCH, AND I PUT GO AHEAD, TOUCH ME SIGNS ALL OVER THE PLACE AND IT DRAWS PEOPLE IN BECAUSE PEOPLE ARE NATURALLY TACTILE CREATURES.

WE LIKE TOUCH.

SO GIVING PERMISSION TO DO THAT GIVES SO MUCH JOY, ADULTS, KIDS, EVERYBODY.

THEY COME UP TO THE BOOTH AND IT'S JUST THIS SENSORY EXPERIENCE.

THEY GET TO FEEL THE TREES.

THEY GET TO PET THE BIRDS AND THEY LOVE IT.

I LOVE DOING SHOWS BECAUSE I GET TO SEE THAT JOY AND SEE THAT CURIOSITY, AND THE WONDER.

THAT SPARKLING BEAD PIECE THAT'S ON THE WALL WHEN THE SUN HITS IT EVERY DAY WILL MAKE THEM SMILE BECAUSE IT CAN'T NOT BECAUSE IT'S HAPPY.

I MAKE HAPPY ART TO MAKE PEOPLE HAPPY.

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>> SEE MORE OF HER BEAUTIFUL CREATIONS AT SABRINAFREYART.COM.

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>>> IN OUR NEXT SEGMENT WE HEAD BACK INTO THE KITCHEN FOR ANOTHER KATE'S QUICK BITES.

THIS TIME WE WILL LEARN ABOUT WILD GOOSE, BUILDING A COMMUNITY OF PEOPLE WHO CARE ABOUT CREATIVITY.

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>>> WITH ME TODAY IS SARAH BARR, THE EXECUTIVE DIRECTOR OF WILD GOOSE CREATIVE.

HI, SARAH.

THANKS FOR BEING HERE.

>> GOOD MORNING.

THANK YOU SO MUCH FOR HAVING ME TODAY.

I AM HAVING A FAN GIRL MOMENT BEING IN KATE'S KITCHEN DOING QUICK BITES.

>> OH, MY GOODNESS.

THAT MAKES ME VERY HAPPY TO HAVE A FAN GIRL.

I AM SO EXCITED TO LEARN MORE ABOUT WILD GOOSE CREATIVE.

WHY DON'T YOU TELL ME ABOUT IT AND THE FUN NAME.

>> WILD GOOSE CREATIVE, CREATES AN INTERSECTION OF RISK AND MEANING.

IT CAME IN 2006 WHEN A GROUP OF LIKE-MINDED CREATIVES WANTED TO BUILD, LIKE I SAID, A COMMUNITY TO APPRECIATE THE WILD SIDE OF ARTISTS AS WELL AS THE NURTURING AND NESTING OF THE ARTS AND CAREER AND BUILDING THAT, YOU KNOW, CREATIVE COMMUNITY.

>> YEAH.

I LOVE THAT.

THAT'S A GREAT JUXTAPOSITION OF THOSE TWO KIND OF GOALS.

>> YEAH.

>> THAT'S WONDERFUL.

WHY DON'T YOU TELL ME ABOUT THE RECIPE YOU CHOSE AND WHAT WE'RE GOING TO MAKE TODAY?

>> TODAY WE'LL MAKE BLUEBERRY CRISP.

IT'S A FAVORITE OF MINE.

I LOVE ENTERTAINING AT HOME FOR MY FAMILY AND FRIENDS AND THIS IS A QUICK, EASY THING YOU CAN MAKE FOR DESSERT AND/OR A QUICK BREAKFAST.

>> SO GOOD.

SO GOOD.

>> I'M EXCITED.

WHY DON'T WE GET STARTED WITH THE LIST OF INGREDIENTS?

>> SURE.

THE INGREDIENTS WE'LL NEED TODAY ARE FOUR CUPS OF BLUEBERRIES AND FOR THE CRISP TOPPING, ONE CUP OF OLD-FASHIONED OATS, HALF CUP OF PECANS, HALF CUP OF ALMONDS AND A FOURTH CUP OF OLIVE OIL.

>> THERE ARE WHOLESOME INGREDIENTS AND YOU HAVE THEM ALREADY.

THAT'S WHAT MAKES THEM ACCESSIBLE.

WE'LL START WITH THE OATS AND PECANS AND YOU WILL ADD THE ALMOND MEAL.

OKAY.

AND THEN THE OLIVE OIL.

DOES IT GIVE IT A THERAPY RICH, FLAVOR.

AND THEN MAPLE SYRUP FOR SWEETENING.

OF COURSE.

I YOU UP, MY FAMILY LOVED TO GARDEN AND WE HAVE FRESH BERRIES AND FRUITS ON OUR PROPERTY, AND THIS RECIPE IS SOMETHING THAT WE WOULD MAKE OFTEN, AND THEN JUST AS I GREW UP IT WAS -- WHY DON'T YOU TELL ME ABOUT THE SPACE OF WILD GOOSE CREATIVE.

AT WILD GOOSE WE HAVE THE SPACE FOR ARTISTS TO USE AND WE HAVE.

WE TAKE PRIDE IN HAVING ACCESSIBLE AND AFFORDABLE SPACE WITHIN OUR GALLERY AND THE BACKDROP IS LOCAL ARTISTS.

>> RIGHT.

REALLY REMOVE THE BARRIER FOR A LOT OF PEOPLE, TOO, EITHER TO SHOW THEIR WORK OR TO HAVE AN EVENT.

>> YES.

YES.

AND THAT'S PART OF OUR MISSION.

>> THAT'S INCREDIBLE.

OKAY.

SO GETTING BACK TO THE RECIPE, WE HAVE OUR BEAUTIFUL BLUEBERRIES.

WHAT HAPPENS NEXT?

WE JUST PUT EVERYTHING TOGETHER.

SO SIMPLE.

>> LET'S PUT THE -- WE DON'T HAVE TO PREP THE PAN OR ANYTHING?

>> NO.

AND YOU REALLY CAN USE ANY TYPE OF FRUIT THAT YOU WOULD LIKE.

WHATEVER YOU HAVE ON HAND OR WHATEVER IS IN SEASON.

>> I'VE DONE PEARS.

I'VE DONE BLUEBERRIES AND POMEGRANATES AND APPLES IN THE FALL AND YOU ADD SPICES TO THE TOPPING AND YOU CAN DEFINITELY CHANGE THEM.

WILD GOOSE HAS PROGRAMS AND WORK SHOPS AVAILABLE FOR THE CREATIVE COMMUNITY.

WE COLLABORATE WITH HEARTLAND BANK AND PROVIDE A BUSINESS OF ART WORK SHOP EVERY FIRST MONDAY OF THE MONTH WHERE WE BRING IN ARTS PROFESSIONALS AS WELL AS THE BUSINESS SECTORS TO GO OVER CERTAIN TOPICS SUCH AS HOW TO APPLY FOR AN EIN OR HOW TO FILE.

>> INCREDIBLE KNOWLEDGE AND RESOURCES FOR PEOPLE WHO MAY NOT HAVE ACCESS TO IT.

>> IT IS.

AND WE ALSO BRING IN PROFESSIONAL ARTISTS TO TELL THEIR STORY AND TO HELP WITH BUILDING JUST THE MARKETING PLAN AND ALL OF THE THINGS THAT YOU NEED TO BE A CREATIVE PROFESSIONAL.

>> RIGHT.

AND BE SUCCESSFUL.

>> AND BE SUCCESSFUL.

WE ALSO HAVE AN ARTS INCUBATOR WHICH PAIRS A PROFESSIONAL ARTIST WITH SOMEONE WHO IS LOOKING TO EITHER START A SIDE HUSTLE OR ENGAGE IN MORE OF AN ARTISTIC CAREER AND THEY HAVE ONE-ON-ONE SESSIONS.

WE ALSO HAVE WORK SHOPS AVAILABLE MONTHLY FOR THEM TO LEARN DIFFERENT TOPICS SUCH AS BUDGETING AND I'M REALLY GIVING THE ARTISTS ALL OF THE RESOURCES THEY NEED TO BE SUCCESSFUL.

>> THAT'S WONDERFUL, BECAUSE I WOULD IMAGINE ARTISTS MAY NOT HAVE THE CHANCE TO GET THOSE RESOURCES OR LEARN THAT BUSINESS SIDE AND THE MARKETING SIDE.

THAT'S AN INCREDIBLE RESOURCE.

>> IT IS, AND IT ALLOWS ARTISTS TO DIVE IN PROFESSIONALLY, BUT AGAIN, GOING BACK TO OUR SPACE THAT WE HAVE AVAILABLE, IT ALLOWS THEM TO DO SOLO SHOWS FOR THE FIRST TIME OR COLLABORATE WITH EACH OTHER TO DO AN EXHIBITION, YOU KNOW, A COLLABORATIVE EXHIBITION, AND IT IS.

IT'S BUILDING A COMMUNITY.

>> YES.

IT SOUNDS LIKE IT REALLY IS.

>> THAT'S AMAZING.

>> OH, MY GOODNESS.

BLUEBERRIES ARE ALL BUBBLY.

OH, IT LOOKS INCREDIBLE!

SMELLS EQUALLY AMAZING.

>> OKAY.

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>> LOOK AT THOSE JUICES.

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>> SO PRETTY.

SO COLORFUL.

>> WE WAITED PATIENTLY FOR IT TO COOL A LITTLE BIT AND SERVE IT UP INTO A DISH.

I'M GOING THE DESSERT ROUTE WITH A SCOOP OF VANILLA ICE CREAM FOR EXTRA FUN.

>> SHOULD WE DO IT?

I'M SO EXCITED.

>> LOOKS WONDERFUL, SMELLS AMAZING.

SO FRESH AND SIMPLE.

>> SO GOOD!

>> CRUNCHY TOPPING, JUICY BLUEBERRIES.

IT'S SO SIMPLE, FRESH AND LOVELY JUST LIKE YOU.

>> THANKS FOR BEING HERE, SARAH.

>> THANKS FOR HAVING ME.

IT WAS A GREAT PLEASURE, SO THANK THANK YOU.

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>>> TO FIND OUT MORE, CHECK THEM OUT AT WILD GOOSE CREATIVE.COM.

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>> WELL, THAT'S OUR SHOW.

REMEMBER, YOU CAN FIND ALL OF OUR STORIES ONLINE AT WOSU.ORG AS WELL AS ON OUR YOUTUBE CHANNEL.

FOR ALL OF US HERE AT WOSU, I'M KATE QUICKEL.

THANKS FOR WATCHING.

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>>> PRODUCTION OF BROAD & HIGH IS FUNDED IN PART BY THE GREATER COLUMBUS ARTS COUNCIL, SUPPORTING ARTS, CONNECTING THE ARTISTS, EVENTS AND CLASSES AT COLUMBUSMAKESART.COM.