>> A PRODUCTION OF "BROAD & HIGH" IS BROUGHT TO YOU BY SUPPORTING ART, AND CONNECTING THE COMMUNITY TO ARTISTS, EVENTS BY COLUMBUS MAKES ART.COM.

"BROAD BY THE GREATER COLUMBUS ARTS COUNSEL, SUPPORTING ART, ADVANCING CULTURE, AND CONNECTING THE COMMUNITY TO ARTISTS, EVENTS, AND CLASSES AT COLUMBUSMAKESART.COM.

>> Announcer: FROM THESE CONTRIBUTING SPONSORS -- AND VIEWERS LIKE YOU.

THANK YOU.

>> THIS TIME ON "BROAD & HIGH," WE MEET A FASHION DESIGNER FOR THE PEOPLE, A YOUNG ARTIST WHO DRAWS ANIME INFLUENCE, DIGITAL AND TRADITIONAL ART, A LOCAL ARTIST MAKES EVERYDAY OBJECTS COME TO LIFE, AND WE HEAR FROM MUSIC FROM A MULTI-TALENTED MUSICIAN.

THIS AND MORE RIGHT NOW ON "BROAD & HIGH."

>>> WELCOME TO "BROAD & HIGH."

I'M YOUR HOST, KATE QUICKEL.

IF YOU WERE TO MEET RECENT GRAD NAT DELLA SELVA, SHE CREATES GARMENTS THAT SHE HOPES WILL BE FUNCTIONAL AND CHERISHED.

WE SPOKE WITH NAT AS SHE FINISHED UP HER PROJECT AT COLUMBUS SCHOOL OF ART AND DESIGN AND GOT A BEHIND THE SCENES LOOK AT HER COLLECTION.

>> WHEN I FIRST GOT THAT WORD, FASHION, I WANT TO BE A FASHION DESIGNER, I HAD NO CLUE WHAT THAT MEANT.

I JUST KNEW THAT I LOVED SEWING AND I LOVED MAKING AND I LOVED STYLE.

AND SOMEHOW THAT CAME TOGETHER TO BE FASHION DESIGNER.

BOTH OF MY PARENTS ARE ARTISTS.

MY MOM HAD A STINT AS A FLORAL DESIGNER AND MY DAD HAS BEEN A FULL-TIME MUSICIAN SINCE I WAS A CHILD.

SO I ALWAYS HAD CREATIVITY MANY MY HOUSEHOLD.

MY MOM, IF YOU ASKED HER HOW DID I GET STARTED, SHE WOULD BE LIKE, SHE WAS DIGGING IN THE RECYCLING BIN FINDING STUFF TO PUT TOGETHER.

I WAS JUST A VERY CURIOUS CHILD.

I STARTED ACTUALLY KNITTING, I THINK I WAS LIKE 7 OR 8.

AND I WAS TERRIBLE AT IT.

I WAS LIKE REALLY IMPATIENT.

I CAN'T REMEMBER IF IT WAS AT MY GRANDMA'S HOUSE OR AN OLD SEWING MACHINE WE HAD, I TRIED IT OUT AND IT WAS FAST.

I COULD LIKE THINK OF SOMETHING, I COULD GET IT DONE, AND I COULD SEE A RESULT.

AND I LOVED THAT COMPARED TO KNITTING.

I WAS LIKE, THIS IS MY THING.

I GUESS THAT'S HOW I KIND OF GOT STARTED.

>> WHEN I WAS THINKING ABOUT WHAT I WANTED TO CREATE, I WAS REALLY THINKING ABOUT LIKE, WHO AM I?

AND WHAT STORIES DO I KNOW?

AND MY NEIGHBORHOOD IS WHERE I BEGAN, REALLY.

AND MY NEIGHBORS WERE MY FAMILY.

AND SO, WHEN I THINK OF LIKE THE DIFFERENT TRAITS I HAVE, OR THE DIFFERENT VALUES I HAVE, IT ALL KIND OF LIKE STEMS BACK TO THOSE PEOPLE AND WHAT THEY INSTILLED IN ME.

IN TERMS OF WHAT THAT MEANS IN LIKE MY CLOTHING, I CREATE THINGS THAT ARE VERY THOUGHTFUL AND SLOW.

MY TEXTILES ARE VERY TEXTURED, NATURALLY DYED, UPCYCLED, NATURAL FIBERS.

MY COLLECTION IS ENTITLED "NEIGHBORHOOD."

AND EACH LOOK IS INSPIRED BY A DIFFERENT NEIGHBOR.

SO, I KIND OF STARTED THINKING ABOUT THAT PERSON AND LIKE, WHAT ARE THEIR NEEDS AND WHAT WOULD THEY WANT TO WEAR?

SO THIS IS ACTUALLY INSPIRED BY MY AUNTY LYNN.

SO THIS IS THE CARDIGAN THAT I KNITTED ON THE KNITTING MACHINE.

ALL MY WORK IS VERY PLAYFUL.

SO I WANTED TO LIKE EMULATE THAT IN THE TEXTURES I PICKED.

SO WE'VE GOT THESE LITTLE BAUBLES, THE LITTLE GARTER RIDGES AND THIS TEXTURE THROUGHOUT.

I REALLY WANTED TO HAVE A JEAN, BUT I THOUGHT IT WOULD BE FUN TO DO SOMETHING THAT WAS A LITTLE BIT OF A TWIST.

SO THIS IS A BIT OF LIKE A BALLOON-STYLE PANT.

IT SO GOES OUT ON THE SIDES.

BUT OF COURSE, IT HAS LIKE THE TRADITIONAL "J" FLY FRONT.

AND THEN IT'S GOT AN ELASTIC BACK WAIST, SO IT CAN ADJUST TO THE WEARER.

SO THIS LOOK IS INSPIRED BY MY NEIGHBOR, MARY JANE.

REALLY, ALL SHE WEARS IS JEANS OR SWEATPANTS AND A BIG SWEATER.

SO I WANTED LIKE AN OVERSIZED SWEATER THAT YOU COULD JUST AND COMFORTABLE IN.

AND ALL OF MY LOOKS ARE MEANT TO BE LAYERED AND THEY CAN ALL KIND OF INTERCHANGE WITH EACH OTHER.

SO THIS IS A JUMP SUIT THAT GOES ON TOP OF IT.

IT'S GOT ELASTIC ON THE BOTTOM, SO THAT YOU DON'T HAVE TO WORRY ABOUT IT DRAGGING WHEN YOU'RE RUNNING AROUND AND PLAYING, AND A LITTLE BUTTON BACK.

SO THIS LOOK IS INSPIRED BY MY MOTHER, LISA.

AND ALL THE TEXTILES HERE ARE UPCYCLED, SO THIS IS A TABLECLOTH FROM MY YOUTH.

IT ALSO HAS THESE ADJUSTABLE TIES ON THE SIDE, SO EACH ITEM HAS VERY DURABLE POCKETS.

AND I WANTED THIS TO BE ABLE TO CINCH IN, SO IF YOU WANTED IT TO HAVE A BIT OF A TIGHTER LOOK, YOU CAN, BUT IT'S ALSO EASY TO TAKE DOWN AND BE FLOWY AND COMFORTABLE.

AND THEN THIS LAST LOOK IS INSPIRED BY MY NEIGHBOR, JOAN, WHO'S A BIG BIKER.

AND I WANTED EACH PIECE TO BE REALLY COMFORTABLE TO WEAR AND EASY TO TRANSITION FROM GOING ON HER BIKE TO THE GROCERY STORE TO COMING HOME AND GARDENING.

THIS IS THE TOP THAT GOES WITH IT, AND IT'S VERY CASUAL.

I WANTED IT TO BE OVERSIZED.

YEAH, IT'S SO INTERESTING.

THIS IS THE FIRST GARMENT I STARTED AND LIKE I DEFINITELY SUBSCRIBE TO LIKE FLOW FASHION, BUT THIS IS THE SLOWEST GARMENT I EVER MADE.

I STARTED IN SEPTEMBER MAKING THIS COAT.

SO IT'S A WAXED RIPSTOP COTTON THAT I DYED USING INDIGO AND THEN OVERDIED USING TURMERIC, BUT THE WAX HELPS IT TO BE WATERPROOF.

SO TODAY WE ARE HAVING OUR PHOTO SHOOT FOR OUR COLLECTION.

SO EVERYONE IS RIGHT NOW GETTING READY, GETTING THEIR HAIR AND MAKEUP DONE.

AND SOON, WE'LL BE TAKING PHOTOS AND WE'LL ALL BE TOGETHER.

I'M EXCITED!

>> I THINK THIS IS LIKE KIND OF THE FIRST TIME OF IT ALL COMING TOGETHER IN A REALLY FINALIZED WAY.

CLOTHING TO ME IS MEANT TO BE WORN AND USED, BUT LIKE, IT'S NOT SOMETHING THAT YOU JUST HANG UP AND THINK ABOUT AND FORGET.

IT'S SOMETHING THAT IS PART OF YOUR DAILY LIFE.

AND IT'S SOMETHING THAT LIKE INSPIRES YOU TO PLAY AND MOVE AND LIKE HAVE THE LIFE THAT YOU WANT TO HAVE.

I WANT TO MAKE CLOTHING THAT IS EASY FITTING AND IT FEELS LIKE IT'S INVITING YOU TO MOVE AND PLAY AND THERE'S NO RESTRICTIONS.

I UNDERSTAND THAT LIKE CLOTHING AND OBJECTS CAN BE SO PRECIOUS AND HAVE SO MANY LIKE MEANING AND MEMORIES IN THEM.

AND AT THE SAME TIME, LIKE, THEY'RE JUST OBJECTS.

YOU KNOW, IT'S NOT ABOUT THE PIECE OF CLOTHING OR THE OBJECT.

IT'S ABOUT LIKE WHAT IT MEANS.

AND SO IT'S KIND OF A BALANCE.

BUT I REALLY WOULD LIKE PEOPLE TO FEEL COMFORTABLE, BEING ABLE TO SHARE THEIR CLOTHING AND CREATE LIKE CONNECTION AND COMMUNITY THROUGH DESIGN AND CLOTHING.

>> TO SEE MORE OF NAT'S AMAZING CREATIONS, FIND HER ON INSTAGRAM @NATDELLAS.

>>> FOR 13-YEAR-OLD VICTORIA REYES OF TAMPA, FLORIDA, GROWING UP WITH TWO ACTIVE DUTY PARENTS MEANT A LOT OF TIME AWAY FROM THEM.

AT A VERY EARLY AGE, VICTORIA BEGAN TO USE ART AS AN ESCAPE, MOSTLY DRAWING ON HER TABLET.

LEARN HOW THIS YOUNG ARTIST IS APPLYING HER SKILLS OF DIGITAL ART TO TRADITIONAL WORKS OF ART.

>> MY NAME IS VICTORIA REYES AND I AM A DIGITAL ARTIST.

I STARTED ART IN PRESCHOOL WITH CRAYONS AND DRAWING ON PAPER.

>> LIKE MOST KIDS, VICTORIA'S INTEREST IN ART WAS IMMEDIATE, THROUGH THE SCRIBBLES OF YOUNG PEOPLE.

VICTORIA WAS ABOUT 4 YEARS OLD WHEN I NOTICED THAT HER ART STARTED ADVANCING AT AN ACCELERATED RATE.

>> MY DAD GOT ME AN iPAD AND THAT'S WHEN IT STARTED TO KICK OFF.

AND I STARTED TO PRACTICE BY GOING ON YOUTUBE.

AROUND THE AGE OF 7 AND 8, I STARTED TO GET REALLY SERIOUS ABOUT MY ART.

>> ONE OF HER DRAWINGS IN HER ROOM WAS ACTUALLY TAKING SHAPE A LOT BETTER THAN I WOULD DRAW AT THE AGE OF 30, WHATEVER IT WAS.

>> MY INTEREST IN JAPANESE CULTURE FIRST SPARKED WHEN I WATCHED MY VERY FIRST ANIME IN 2016.

IT WAS SIERRA LA MOON.

AND THEN I JUST GOT VERY INTO ANIME.

AND THEN AT SOME POINT, I STARTED TO DO RESEARCH ON JAPANESE CULTURE.

AND THEN I GOT INTO THE FOOD AND ITS HISTORY AND THAT'S HOW IT ALL STARTED.

>> MYSELF AND MY WIFE ARE A DUAL MILITARY COUPLE.

DUE TO THE NEEDS OF THE MILITARY AND THE TIME FRAME THAT WE SERVE, IT WAS ALWAYS A WAR GOING ON, THERE WAS ALWAYS TRAINING GOING ON FOR THE NEXT DEPLOYMENT TO SUPPORT THE ONGOING WAR, AND THERE WAS ALSO MISSIONS THAT MAXINE HAD TO DEAL WITH.

SO ALL THROUGHOUT THAT PHASE, THERE WAS ALWAYS SOMEONE GONE FOR THE FIRST MAYBE TEN YEARS OF HER LIFE.

>> THERE'S DEFINITELY A LOT OF MOVING INVOLVED AND GOING INTO DIFFERENT SCHOOLS, MAKING NEW FRIENDS.

AND ALSO HAVING TO LEAVE A LOT OF FRIENDS.

>> BEING AWAY FROM BOTH OF YOUR PARENTS AT SUCH A YOUNG AGE, YOU CAN IMAGINE THE STRESS.

>> I WOULD PLAY MUSIC THAT WOULD MATCH HOW I WAS FEELING AND DRAW WHATEVER I WAS FEELING IN THE MOMENT.

IT WOULD HELP ME ESCAPE FROM WHAT WAS HAPPENING.

>> THAT'S WHEN HER ART REALLY TOOK ROOT, WHEN SHE STARTED COMFORTING HERSELF AS A SELF-SOOTHING TOOL.

SHE WOULD EXPRESS HERSELF THROUGH HER ART.

>> STUFF THAT HAS INFLUENCED MY ART STYLE IS WATCHING OTHER PEOPLE MAKE THEIR ARTIST, SEEING OTHER PEOPLE POST ABOUT THEIR ART.

I ALWAYS LIKE TO EXPERIMENT AND TRY OUT A STYLE.

I THINK THAT ALL KIND OF MIXES UP TOGETHER.

AND THAT'S HOW I DRAW NOW.

>> SOMETHING THAT I THINK IS UNIQUE ABOUT VICTORIA'S ART IN PARTICULAR, A LOT OF HER FEMALE CHARACTERS ARE ALWAYS STRONG WOMEN AND ARE DEFINITELY NOT DRAWN AS A WOMAN IN DISTRESS.

IT'S ALWAYS A WOMAN IN A POWERFUL POSITION.

MY WIFE REALLY PUSHES VICTORIA OUT OF HER COMFORT ZONE OF JUST BEING QUIET AND RESERVED.

AND PLACES HER IN A SITUATION WHERE SHE HAS TO TALK ABOUT HER ART.

SHE'S ALSO ENCOURAGED VICTORIA TO MOVE IN DIFFERENT TYPES OF MEDIUM OF ART, LIKE PAINT, OILS, >> YOU CAN SEE THE SHADOWS OF WHAT'S GOING ON RIGHT HERE.

YOU CAN BLOCK IT OUT AND ACTUALLY, YOU CAN TAKE LIKE A PENCIL.

IT'S SORT OF REAL TO JUST BLOCK IT OUT.

YOU DON'T HAVE TO DO THE SKETCHY THING OR ANYTHING LIKE THAT.

>> WELL, THE WAY I CAME ABOUT MEETING VICTORIA WAS THROUGH AN EVENT THAT TOOK PLACE THROUGH THE EPICUREAN HOTEL.

IT WAS AN ART SHOW AND SHE WAS THE YOUNGEST ARTIST THAT WAS THERE.

>> MEETING MR. ANDERSON AT THE ART SHOW WAS REALLY COOL, BECAUSE HIS ART IS VERY IMPRESSIVE.

AND I THINK IT WAS AWESOME THAT I GOT TO COLLABORATE WITH HIM.

>> I'M ALWAYS LOOKING TO COLLAB WITH OTHER ARTISTS.

AND MOST OF THE ARTISTS THAT I WORK WITH TEND TO BE AROUND THE SAME AGE AND I NEVER COLLABED WITH A YOUNGER ARTIST.

AND I REALLY WASN'T LOOKING AT HER NECESSARILY AS A MENTOR.

I WAS LOOKING AT HER AS JUST A FELLOW ARTIST.

AND HOW GREAT THAT WOULD BE TO COMBINE HER ANIME STYLE ALONG WITH THE TYPE OF ART THAT I DO.

I WORK WITH TRADITIONAL OILS AND PAINTS.

SO THE CHALLENGE WAS, HOW CAN WE COMBINE THAT?

SO STEPPING OUTSIDE OF HER COMFORT ZONE, SHE DECIDED TO DO SOME WORK WITH ACRYLICS IN AND A PAINTBRUSH.

>> DOING TRADITIONAL ART IS VERY -- IT'S VERY UNCOMFORTABLE AND VERY FOREIGN TO ME, BECAUSE I'M ALWAYS ON DIGITAL AND I'M FREE TO MAKE MISTAKES AND I CAN UNDO AND ERASE ANYTHING AND THERE WON'T BE ANY EVIDENCE OF IT.

BUT ONCE I DO TRADITIONAL ART, I HAVE TO BE VERY CAREFUL.

>> A PART OF GROWTH IS STEPPING OUTSIDE OF YOUR ZONE, TRYING DIFFERENT TECHNIQUES, DIFFERENT THINGS, DIFFERENT MEDIUMS.

WE'RE CREATING THIS PIECE RIGHT HERE, IT'S ANIME THEMED, BUT DOING IT WITH TRADITIONAL PAINT.

>> I'VE NOTICED VICTORIA'S GROWTH AS AN ARTIST TO BE VERY EXPONENTIAL.

>> I STARTED A MERCHANDISING COMPANY AND IT'S CALLED BLOSSOM.

I AM EXCITED ABOUT SEEING CHILDREN, TEENS, HOPEFULLY WEARING MY MERCHANDISE IN THE FUTURE.

>> WHAT I'M LOOKING FORWARD TO MOST WITH VICTORIA'S WORK IS SEEING HER TRYING DIFFERENT ART STYLES AND SEEING WHAT COMES OF THAT.

IT MAY BE A COMBINATION OF DIGITAL ART ALONG WITH TRADITIONAL ART.

YOU KNOW, CUT AND PASTE.

>> FROM MY FUTURE, I LOVE DOING ART, BUT I AM VERY INTERESTED IN BECOMING AN ANIMATOR, OR DOING SOMETHING FOR MOVIES.

>> TO SEE MORE OF VICTORIA'S ART, CHECK OUT VICTORIAREYES.COM.

>>> ARTIST MATTHEW MOHR HAS A WAY OF BRINGING EVERYDAY OBJECTS TO LIFE.

HE CALLS HIS CREATIONS LIGHTNING SPRAY AND IF YOU'RE IN DUBLIN, OHIO, YOU NEVER KNOW WHEN YOU MIGHT COME ACROSS ONE.

LET'S TAKE A LOOK.

>> FOR A WHILE THERE, I COULDN'T PRODUCE ANYTHING, WHEN THE PANDEMIC HIT.

THE ART JUST WENT AWAY.

AND SO I WAS LOOKING AROUND FOR INSPIRATION, AND IT JUST, ONE MORNING, LOOKING IN THE KITCHEN WITH MY CUP OF TEA, LOOKING OUT MY WINDOW, IT WAS LIKE, I LOVE THESE THINGS.

I'VE HAD THESE SOLAR-POWERED TOYS FOR YEARS NOW.

THEY KEEP GOING.

THERE'S SOMETHING JUST SIMPLE AND LOVELY ABOUT THE PLATFORM.

BUT WHAT IF WE COMBINE THAT WITH A MORE OPEN-ENDED APPROACH TO ART.

WHAT IF WE MAKE IT A LITTLE MORE OPEN FOR INTERPRETATION?

AND SCULPTURE AND SOLAR-POWERED AND KINETIC, AND BOOM, IT WAS JUST THERE.

AND SO, THEN THE JOURNEY BECAME THAT EXPRESSES THE WAY I'M FEELING ABOUT THE PANDEMIC?

HERE I'M DRAWING DIFFERENT POSSIBLE HEADS FOR THESE CREATURES.

AGAIN, THINKING ABOUT HOW WE'RE, WE INTERACT WITH THESE FORMS DAILY, THE PRESCRIPTION PILL BOTTLE OR THIS IS THE TOP FOR A TUBE THAT YOU TWIST AND YOU CAN OPEN.

BUT THEN THE PANDEMIC PUT US RIGHT BACK IN THAT MOMENT WHERE THESE VERY MUNDANE TASKS BECOME MUCH LARGER ACTIONS IN OUR DAILY LIVES.

AND I JUST THOUGHT, YOU KNOW, THIS IS A MOMENT THAT'S WORTH CONSIDERING.

I ACTUALLY WORKED WITH SUSAN VAN PELT PETRIE TO WORK ON A SERIES OF GESTURES.

SUSAN CREATED A GESTURE THAT SWITCHES FROM RECOIL, WHICH IS WHAT THE PANDEMIC MADE US ALL DO, TO REACHING.

REACHING FORWARD AND GRASPING SOMETHING NEW.

WHEN YOU SEE THIS, I ESSENTIALLY TRANSLATED IT INTO SKETCHES.

SO HERE WE ARE AT REACHING AND IT'S GOING TO GO BACK TO RECOIL.

AND SO NOW THEY'RE BEING MODELED BY TODD PERKINS, WHO'S DOING THE ENGINEERING BEHIND THEM.

AND, YOU KNOW, WE'RE WORKING TOGETHER ON THESE AND IT WILL BE -- THEY'RE GOING TO BE GREAT.

>> YOU NEED TO REMOVE THE SUPPORT MATERIAL NOW.

THE PART YOU SEE HERE.

>> SO, I CONTINUE TO WORK ON THEM.

AND THEN I GOT A CALL FROM DAVID AND JANET AT THE DUBLIN ARTS COUNCIL, SAYING WE WOULD LIKE YOU TO DO AN INSTALLATION FOR THE ART AND WELLNESS SHOW.

>> THEY'RE WHIMSICAL, THEY'RE FUN.

YOU'RE CURIOUS ABOUT THEM WHEN YOU SEE THEM.

THEY LOOK LIKE COMMON OBJECTS.

SOME PARTS OF IT, SO THERE'S THE FAMILIARITY THERE.

BUT THERE'S ALSO A STRANGENESS ABOUT THEM.

LIKE AN OTHERWORLDLY, AND I THINK THAT'S WHERE MICHAEL CAME UP WITH THE SPRITES IDEA.

>> A LIGHTNING SPRITE IS A MOMENT, A FLASH OF LIGHTNING ABOVE THE CLOUDS, IT'S UNEARTHLY, ONLY THERE FOR MILLISECONDS, BUT SOMETHING THAT YOU'VE NEVER SEEN BEFORE.

AND I THOUGHT ABOUT A LIGHTNING STORM COMING THROUGH DUBLIN AND DEPOSITING THESE LIGHTNING SPRITES AROUND THE FOREST OF DUBLIN.

AS IF THE LIGHTNING STRUCK A TREE AND LEFT ONE OF THESE LITTLE SCULPTURES THERE.

>> IF WE COME OUT TOGETHER AND EXPERIENCE ART, IT'S A WAY TO MOVE THROUGH WHAT WE'VE BEEN THROUGH THE PAST YEAR.

SO WE JUST HOPE THAT THE ART MAKES YOU LAUGH AND GIVES YOU ENJOY AND THAT THAT'S OUR GOAL.

>> WE'RE AT THE BEGINNING STAGES OF TECHNOLOGY THAT WILL ENABLE US TO EXPLORE MANY, MANY DIFFERENT WAYS OF EXPRESSION.

AND I SEE THESE SCULPTURES AS BEING PART OF THAT DIALOGUE.

>> TO SEE MORE OF MATTHEW'S WORK, YOU CAN FIND HIM ON INSTAGRAM @MOHRISMORE.

>>> SEAN PERRY IS A CLASSICAL VIOLINIST AND IRISH FIDDLER.

HE'S BEEN PLAYING SINCE THE AGE OF 5 AND IS CURRENTLY STUDYING TO BE A MUSIC EDUCATOR AND PERFORMER.

HE DESCRIBES HIS ORIGINAL CREATIONS AS IRISH FUSION WITH INFLUENCES IN KPOP.

MANY OF HIS ORIGINAL COMPOSITIONS ARE DEDICATED TO MIAMI SCHOOL OF MUSIC CLASSMATES AND INSTRUCTORS.

LET'S TAKE A LISTEN.

>> TO FIND OUT MORE ABOUT THIS TALENTED MUSICIAN, CHECK HIM OUT ON FACEBOOK @SEANPERRYOFFICIALMUSIC .

>>> WELL, THAT'S OUR SHOW.

REMEMBER, YOU CAN FIND ALL OF OUR STORIES ONLINE AT WOSU.ORG AS WELL AS ON OUR YOUTUBE CHANNEL.

FOR ALL OF US HERE AT WOSU, I'M KATE QUICKEL.

THANKS FOR WATCHING.